Essay --

Looking at how Nepal’s consumer action is associated with the quest of finding modernity, modernity is an important indicator for changes for the better in the chains of economic, social, political, and even in relation to religious bondage. The definition of modernity lies from the daily demands and possibilities of transformation of social and material context against the deeply rooted cultural and moral values, system of prestige, and notions of propriety within Kathmandu (Liechty, 2003). Modernity help perpetuate its hold over society for those who hold the power. These changes in society can occur in response to people desire to fit into society and not only that. Finding modernization can be seen as a blind pursuit of westernization form rather than their content and values toward Kathmandu. Modernity has many attributes to influence middle-class system in Kathmandu such as that being modern can go beyond just being a self-centered individual. Modernity comes in many att ributes mainly through the process of mind and not through the lifestyles which include the implications of acceptance of diversity, endeavors the change within circumstances of a modern person, and beauty giving rise to one to bear the tyranny of life and energy to bringing desired changes to modernity. Overall, the Nepali quest of modernity has been in struggle in at least three centuries (Lal, 2001). Marx theory on class insist that cultural practice must be located in context of unequal distribution of power and resources between class usually hierarchal society, whereas in Weber theory on class, concern on the role of culture in social lifestyle including education and consumer goods (Liechty, 2003). The concept of Weber’s theory is very important in mi... ...ce or project of something performed by groups of people. The definition of class must go beyond the passive and objective of the meaning of â€Å"what is class† into â€Å"what does the class itself do in relation to cultural practice.† In Kathmandu middle-class society, the cultural process pertains to the practice of carving out the cultural space where that people can act and speak for himself or herself in existence of the established culture. This could be in a form of stories of morality and value, status and honor, consumer practices and goods, media consumptions, and creation of â€Å"modern youth† by class. People produce the cultural space of class when language, goods, ideas, and values are practice everyday (Liechty, 2003). You will be able to see the emergence of class after viewing the vivid ethnographic facts that are repetitively produced in the cultural practice.

Boldwood’s Christmas party Essay

Bathsheba Everdene is the main character in a Thomas Hardy novel called â€Å"Far From the Madding Crowd†. Which is set in Wessex. Bathsheba’s character is along with many other things decisive, brisk, vain, businesslike, and independent. However you see her evolve throughout the book, mainly as a result of her marriage to Frank Troy. At the beginning of the story Hardy seems to focus on her bad qualities, though you still see people wishing to be married to her. Some good qualities are shown as well like her thoughtful response to save Gabriel’s life. Her first fault is vanity. This trait is mentioned in chapter one, almost everything else follows on from this. Vanity affects the way she behaves in a powerful way. Her vanity makes her annoyed and angry at not attracting Boldwood’s attention. When she meets Frank Troy he plays up to her vanity by paying her compliments and showing her flirtatious affection. By the end of the story she shows that she has grown out of or overcome her vanity. Instead of wanting to stand out and have everyone looking at her, at Boldwood’s Christmas party, she dresses down and wants to merge into the background. You can also see she is not vain because when Boldwood praises her beauty the comments have no effect. Her life experiences have caused this change in her. The main life experience is her marriage to Frank Troy which affected her the most. She transforms from a confident character to a submissive and introverted figure she becomes less and less like her usual self. The first sign you see of independence is fairly near the beginning in chapter three, when we see her riding the horse. Instead of doing it the conventional ladylike way we see her lie flat on her back on top of the horse’s back. This could be showing her independence and unconventional behaviour, this would tie in with an independent spirit â€Å"too wild†. She likes to have independence so later on in the story when this is taken away from her we see her rely on Gabriel Oak. She always had her own independence, but when she got married she lost that independence and we see her seek advice and help from Gabriel Oak. At one point in the story she rejects Gabriel’s advice, but later on in chapter fifty four she asks for it. This shows a big change in her personality. She once would have done her own thing and maybe even sacked Gabriel for his ‘advice’ whereas she now values both him and his opinion. Her independence continues to be shown throughout the rest if the story, even after her marriage to Frank Troy. Independence along with confidence is showed when she goes to the corn market and is the only woman there. Another characteristic shown is confidence with businesslike skills. An example of this would be when she takes it upon herself to sack her bailiff. â€Å"I have formed a resolution to have no bailiff at all†. Bathsheba’s confidence continues to be shown with her decision to pay the workers herself in chapter ten. Bathsheba has a lot of confidence in herself. â€Å"In short I shall astonish you all†. This is said shortly after her decision to have no bailiff when she is convincing the staff that she can manage. The speech shows her self-confidence shining and her belief in her own ability. Towards the end of the novel we see her find an even balance between the overconfidence which she showed through the beginning of the novel which made her appear full of herself, compared with when she had little or no confidence and relied on Frank Troy, to finally become a person who can cope on her own but realises she cannot do everything to the best of her ability without assistance. Before we see her lose her self confidence she shows she believes in herself by going to the Corn Market, making her the only woman present. One thing bothers Bathsheba; the fact that Boldwood is the only person who does not take notice of her. This lack of attention shows us how she craves to be the centre of attention; you could even go as far as calling her an attention seeker. She will do silly antics in an attempt to attract people’s attention. For example the Valentine’s Day card. Bathsheba tries to make herself popular with everyone especially men; this seems to be her biggest desire. In chapter thirteen she mischievously sends a Valentine card to Boldwood to attract his attention. This starts Bathsheba’s change. She wants people to notice her and does not sit around waiting she takes action for herself. The sending of the Valentines card shows her vain characteristic. A big characteristic she shows throughout is impulsiveness, she does things without thinking. The Valentine’s Day card is an example of this; another example of this earlier in the book is when she chases Gabriel Oak after he had been wrongly informed that many men wanted her hand in marriage; though she did not want to accept his proposal. She did not think that her actions would show this until after the conversation her and Gabriel had. Many of her actions are on impulse she doesn’t think things through first. Later on however she takes time to think about Fanny’s grave and she decides to clean it up and replant the bulbs on it. This also shows she can be selfless. When Gabriel gives her advice early in the novel she decides she doesn’t like what he has to say. She sacks him whilst she was angry and acting highly impulsively. This demonstrates how she doesn’t want to face the truth even though she values his opinion; later in the novel after the â€Å"drowning† of Frank Troy she relents asking him for his thoughts.

Italian Proverbs and Sayings

Italian is a language as fertile as the vineyards that dot the peninsulas countryside from north to south, and as a result, it’s also rich in short, pithy sayings. Didactic or advisory in nature, Italian proverbs are generalizations couched in specific, often metaphorical expressions, like niente di nuovo sotto il sole, meaning theres nothing new under the sun or troppi cuochi guastano la cucina, which means that too many cooks spoil the cooking. The Study of Proverbs Italian proverbs can be very amusing: Bacco, tabacco e Venere riducono luomo in cenere, but they are of linguistic interest and often show lexical change. In academic circles, scholars concern themselves with la paremiografia and as well as la paremiologia, the study of proverbs. Proverbs are part of an ancient tradition common to every part of the world, and there are even Biblical proverbs. Linguistic experts point out that proverbiando, simpara; by speaking and parsing out proverbs, one learns about the language, the traditions, and the mores  of a culture. The statement itself is a take on the famous Italian proverb: Sbagliando simpara (One learns from his mistakes), which implies that both native speakers and new students of Italian can increase their grammar aptitude, and vocabulary by studying quotes and sayings. You Say Pentolino, I Say†¦ The Italian language, reflecting the pastoral heritage of the country, has many proverbs that refer to horses, sheep, donkeys, and farm work. Whether termed an adagio (adage), a motto (motto), a massima (maxim), an aforisma (aphorism), or an epigramma (epigram), Italian proverbs cover most facets of life. There are proverbi sul matrimonio, proverbi regionali, and proverbs about women, love, the weather, food, the calendar, and friendship. Not surprisingly, given the large variety of regional differences in the Italian language, there are also proverbs in dialect. Proverbi siciliani, proverbi veneti, and proverbi del dialetto Milanese, for instance, reflect this diversity and show how a common idea may be given different local references. For example, here are two proverbs in Milanese dialect that show the similarities and differences in construction and pronunciation: Milanese dialect: Can ca buia al pia no.Standard Italian: Cane che abbaia non morde.English translation: Barking dogs dont bite.Milanese dialect: Pignatin pien de fum, poca papa ghà ¨!Standard Italian: Nel pentolino pieno di fumo, cà ¨ poca pappa! (or, Tutto fumo e niente arrosto!)English translation: All smoke and no fire! A Proverb  for Any Situation Whether you are interested in sports or cooking, romance or religion, there is an Italian proverb thats appropriate for any situation. Whatever the topic, remember that all Italian proverbs embody a general truth: I proverbi sono come le farfalle, alcuni sono presi, altri volano via. Or, Proverbs are like butterflies, some are caught, some fly away.